September 26, 2016

Bialosky Receives National Marketing Excellence Award

Firms from all corners of America came to represent their firms at the Arizona Biltmore, Designed by Frank Lloyd Wright.

Industry leaders from all corners of America came to represent their firms at the Arizona Biltmore, designed by Frank Lloyd Wright.

Over the weekend, Marketing Director, Hallie DelVillan and Graphic Designer, Chelsey Finnimore accepted the 2016 Zweig Group Marketing Excellence Award at the Arizona Biltmore Hotel in Phoenix on behalf of Bialosky Cleveland. Bialosky placed 3rd nationally in the Integrated Marketing category for our refreshed  branding and marketing strategy.

Winners in our category include:

  1. Hickok Cole Architects
  2. WGI
  3. Bialosky Cleveland
  4. EAPC
  5. JLG Architects
Bialosky's integrated marketing, including branding, environmental graphics, vision and values, and digital presence, garnered a national award from the AEC industry.

Bialosky's integrated marketing, including branding, environmental graphics, vision and values, and digital presence, garnered a national award from the AEC industry.

It is an honor to be recognized by our peers for the hard-work and dedication our people have put forth in creating an outward persona that truly reflects the values our firm was founded on.

What the judges had to say:

"We were impressed by the quality of the overall submittal package. The custom binding, high quality printing and paper, mirrored the high quality of their integrated marketing campaign. High marks were given due to the level of detail in the graphic standards, creativity of the environmental graphics, and achieved results."

Take a peak inside our 2016 submission:
[soliloquy id="3258"]

August 31, 2016

Congratulations, Chelsey!

Hats off to our very own Chelsey Finnimore—She was named to this year's class of "Twenty in their Twenties" by Crain's Cleveland Business! At Bialosky, we are designing environments, and graphic design is one more discipline within those services. Many of us in the firm have experience in design but not in her specialty. That type of thinking broadened our base of thinking. She is a confident and competent designer who is wonderful to be around. You find some young people in architecture who just get it far beyond their years of experience.

Read the full story here!

May 5, 2016

Bialosky Cleveland Receives Honorable Mention in 2016 COLDSCAPES Competition!

COLDSCAPES//Adapt is a multidisciplinary design competition seeking innovative responses to volatile weather conditions in winter cities organized by Kent State University’s Cleveland Urban Design Collaborative (CUDC).

Bialosky Cleveland received an Honorable Mention for their submission of HALO 22.  The project concept was inspired by the phenomenon from nature known as a 22˚ halo, an illusion caused by ice crystals refracting light in the atmosphere, forming a circular glow around the source. From this idea, the concept of HALO 22 was born, providing a critical step in survival for the homeless while beautifying the urban realm in the process.

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In Northeast Ohio there are 21 homeless shelters where people seek refuge from the elements. On freezing cold nights, the shelters overflow with people needing protection from the harsh conditions, and many are turned away due to the lack of space. With no resources to survive, HALO 22 provides those who were sent away with temporary shelter, food, water, first aid, and information.

Inspired by the 22˚ halo, circular light installations are attached to existing networks of infrastructure (such as bus signs and bus shelters). The halos appear suspended in a crystalline container that holds the supplies. In milder conditions, they appear as works of art, bringing light and interest to a space. However, in freezing, dangerous conditions, HALO 22 installations become beacons of hope, signaling help to those who need it the most.

halo 22_3

 

The competition team included Jeff Jasinski, Julie Roberts, Sai Sinbondit, Jeremy Smith, and Brad Valtman, with David Craun and Ted Ferringer serving as team advisors.

This year’s Coldscapes Competition was the second installment of an international competition hosted by the Cleveland Urban Design Collaborative. For more information, please visit the Coldscapes competition website at http://www.cudc.kent.edu/cold/2016-coldscapesadapt-competition-winners/.

April 5, 2016

Building the Bialosky Brand

2016 has brought along quite a few changes here at Bialosky—new projects, new hires, a new place to call home at 6555 Carneige Ave, a new name, and a new brand identity to celebrate and highlight these exciting milestones.

The first step in rebranding was to clearly define our promise to our clients and the process though which we make that promise a reality. To do this, we took a step back to analyze our design process and the values we hold as a firm. This introspection allowed us to define the four core values through which we interpret all aspects of the work we do: innovative, responsive, enduring, and beautiful. These four words and their corresponding promise were the jumping off point for the creation of the new Bialosky Cleveland identity.

Sketch, Discuss, Revise, Repeat

The cornerstone of the new identity is the name shift from 'Bialosky + Partners Architects' to simply 'Bialosky Cleveland.' Although we didn't intend for a name change when we set out on our rebranding mission, the name change grew organically out of the logo design process—reaffirming the value of an iterative design process of thoughtful discussion and intentional revisions. The design process began with a series of rough sketches exploring the basics of graphic identity: typography, mark, and color. These initial sketches were reviewed and discussed by our team and used to tease out successful ideas for further exploration. During the first round of sketches, we were drawn to concepts with bold typography that were simple, timeless, and clean while nodding to the idea of integration, cooperation and partnership. As these initial concepts were explored and refined, we found ourselves pairing down each iteration more and more until we landed on the final mark: a bold typographic treatment, stating simply 'who we are' and 'where we're from.'

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This pairing down of the logo to its key parts led to the discussion of what exactly it would mean to simply be 'Bialosky Cleveland.' Bialosky's equity is not only tied to its leadership and history as an architectural firm, but also to its employees and its multi-disciplinary approach. We are a diverse group of individuals anchored by strong leadership and an even stronger history. We are architects, planners, interior designers, engineers, and environmental graphic designers. It's how we answer the phone and it's what our clients call us—we are Bialosky. The name change makes more sense now than ever before.

04_Motion_2

Color & Type

Pushing the ideas of simplicity, flexibility, and equity was key in the continued development of the Bialosky graphic identity. Blue—representing trust, loyalty, wisdom, confidence, and intelligence—has always been at the core of the Bialosky palette. The updated palette plays off of this equity with a bold pairing of blue/black and cyan. A classic navy and middle gray provide depth, while a bold pop of warm red rounds out the palette with an unexpected brightness.

08_History_2

Strong typography is the basis of the Bialosky Cleveland logo and is a pillar of the extended identity. The typography pays tribute to the equity of the past Bialosky + Partners Architects marks while adding a contemporary twist. The primary Bialosky typeface, Knockout, is a condensed sans-serif that subtly nods to the Bialosky + Partners condensed logotype of the 1990s. The secondary typeface Gotham, a geometric san-serif inspired by mid-twentieth century architectural signage, is a well-balance blend of new and old that adds a great deal of flexibility to the identity.

05_ColorAndType

Function & Application

The flexibility of the new identity is continued throughout its various applications. As an integrated architectural firm, the Bialosky brand needed to be easily translated across a number of platforms from formal business letters and proposals, vibrant marketing collateral and environmental graphics throughout the office.

06_Stationery

03_Reception

07_OurValues

This work is protected and owned by Bialosky Cleveland and cannot be used, distributed, or displayed without permission.

November 26, 2015

Project Spotlight: Marshberry Corporation

At this year’s AIA / IIDA Cleveland Design Awards, Bialosky earned a 2015 IIDA Design Award for the recently completed project, Marshberry Corporation. Karen Miller, Senior Associate, Senior Interior Designer of NBBJ (Columbus) chaired the jury for this year’s interior design projects, and said of the project: “Marshberry exercised a well-edited interiors pallet, allowing a small gesture to have a large impact.”

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Entry to Marshberry’s new corporate headquarters in Beachwood, OH.

With a bold and fresh new brand, Marshberry Corporation sought an office space that would embrace its new messaging, attract and retain new talent, and encourage a culture of collaboration. Previously disconnected by multiple floors with challenging interior spaces, Marshberry aimed to not only unify their team and enhance the experience of their clients, but also to add spatial flexibility and versatility to their working environment.

I sat down with one of our primary designers of the space, Mandisa Gosa, for a few Q&A’s.

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What were the biggest challenges to overcome in the project? 

MG: Space planning was very important. Marshberry predicted to only need 75% of their new floorplate immediately, so space planning for the present as well as the future was critical to get right. Another huge factor of success relied on the aesthetic leap from their current offices, set in a Jeffersonian building, to a modern work environment, and have the employees be comfortable and feel “at home” as the Marshberry brand was changing.

Lobby, with a pop of color at the end of the corridor.

Can you describe the philosophy behind using neutrals vs. color?

MG: The design balances a vivid, yet minimalist palette, with clean neutrals and measured pops of color & texture. Bright white surfaces were used throughout to celebrate the fresh new space and enhance the natural light while also serving as a backdrop for key design features. Brilliant yellow was used to highlight key areas, such as the acrylic panels cloaking the reception desk and adjoining wall of the kitchen and dining area.

How did you encourage interaction in the space? How is the space flexible?

MG: The strategic use of glass was key; completely transparent glass signals an open line of communication. It’s a value Marshberry looked to promote in their new space. Private offices are built with clear glass, allowing managers to be more accessible, and to simply wave someone in or motion “just one second”. It’s much more welcoming. The multipurpose space is a great example of a flexible work environment. With movable walls, easy to move furniture, pin-up surfaces, the space can easily transform from Conference to Cafe.